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Showing posts with label ARTS. Show all posts
Showing posts with label ARTS. Show all posts
Tuesday, April 11, 2017
ប្រពៃណីជាតិខ្មែរ
វប្បធម៌ប្រពៃណីជាតិខ្មែរ តែងតែបង្ហាត់បង្រៀន មនុស្សឱ្យចេះស្គាល់ខុស ត្រូវ អាក្រក់ ល្អ ស ឬខ្មៅ និងអ្វីដែលជាតម្លៃនៃសេចក្តីថ្លៃថ្នូររបស់មនុស្សម្នាក់ៗ ដែលមានរៀងៗខ្លួន។លើសពីនេះទៅទៀត វប្បធម៌ខ្មែរ មានលក្ខណៈពិសេស នៅត្រង់ថា ខ្មែរចេះជួយសាមគ្គីគ្នា ស្រលាញ់រាប់អាន និងចែករំលែកគ្នាទៅវិញទៅមក ទោះបីស្ថិតនៅគ្រប់កាលៈទេសៈណាក៏ដោយ។ ខាងក្រោមនេះសាក្ខីភាព នៃការតបស្នងចំពោះមាតា បីតា និងជាពាក្យក្នុងចិត្ត ដែលកូនៗចង់និយាយទៅកាន់អ្នកមានគុណ និងក្រុមគ្រួសារ៕
វប្បធម៌ខ្មែរ
វប្បធម៌ប្រពៃណីជាតិខ្មែរ តែងតែបង្ហាត់បង្រៀន មនុស្សឱ្យចេះស្គាល់ខុស ត្រូវ អាក្រក់ ល្អ ស ឬខ្មៅ និងអ្វីដែលជាតម្លៃនៃសេចក្តីថ្លៃថ្នូររបស់មនុស្សម្នាក់ៗ ដែលមានរៀងៗខ្លួន។លើសពីនេះទៅទៀត វប្បធម៌ខ្មែរ មានលក្ខណៈពិសេស នៅត្រង់ថា ខ្មែរចេះជួយសាមគ្គីគ្នា ស្រលាញ់រាប់អាន និងចែករំលែកគ្នាទៅវិញទៅមក ទោះបីស្ថិតនៅគ្រប់កាលៈទេសៈណាក៏ដោយ។ ខាងក្រោមនេះសាក្ខីភាព នៃការតបស្នងចំពោះមាតា បីតា និងជាពាក្យក្នុងចិត្ត ដែលកូនៗចង់និយាយទៅកាន់អ្នកមានគុណ និងក្រុមគ្រួសារ៕
Thursday, March 2, 2017
Sam Dech Choun Nath
Extracted from Wikipedia: Dhammayuttika Nikaya, influenced young Khmer monks in the early 20th century.[1] The new movement also cultivated Khmer-language identity and culture, giving rise to the notion of Cambodian nationalism.
Som Dech Nath was the head of a reformist movement in the Khmer Buddhist Sangha which developed a rationalist-scholastic model of Buddhism, rooted in linguistic studies of the Pali Canon. This new movement, known as
Nath pushed for a series of innovations in the Khmer Sangha beginning in the early twentieth century: the use of print for sacred texts (rather than traditional methods of hand-inscribing palm-leaf manuscripts); a higher degree of expertise in Pali and Sanskrit studies among monks; a vision of orthodoxy based on teaching of Vinaya texts for both monks and lay-people; and modernization of teaching methods for Buddhist studies.
He also oversaw the translation of the entire Buddhist Pali canon into Khmer language; and the creation of the first modern Khmer language dictionary.[2]
The French set up its protectorate over Cambodia and intended to replace the Khmer language with its own through the so-called "pseudo-French intellectuals." This intention rallied many Cambodian scholars to the course of conserving the Khmer language; one such scholar was Nath. A son of farmers who later became a monk, Nath dedicated his life to upholding Buddhism and the conservation of Khmer language in the country that was highly influenced by French colonialism. He had an extensive knowledge of the Khmer language. He was probably the most famous and most knowledgeable monk Cambodia had ever had. A master in Buddha’s teaching, he was very well known around the Buddhism circle as well as very adept at languages. Throughout his life he encouraged the use of "Khmerization" in both public education and religions. What Nath meant by "Khmerization" was he wanted to derive new Khmer words from its ancestral roots, the Pali and Sanskrit languages. For example, when the train arrived first in Cambodia, there was no Khmer word for the train. Nath thus derived the word for train from Sanskrit and Pali word of Ayomoyo which means something that is made of metal. Together with the word Yana which means vehicle, came the Khmer word for train which we know today as Ayaksmeyana, pronounced Ayak-smey-yean.
However, Nath’s Khmerization was not overall accepted by all Khmers. Scholars such as Keng Vannsak who were pro-French did not find the kind of Khmer words derived from Pali and Sanskrit to be convenient. They revolutionized another kind of derivation which they want to adopt normalized French word into Khmer vocabulary. The only major change was to use Khmer alphabet to write the word rather than using the Roman alphabets used by the French. But despite opposition, Nath’s Khmerization succeeded. He was a member of the original committee granted royal order to compile a Khmer dictionary in 1915 and was credited as the founder of the dictionary as he pushed for and finally succeeded in printing the first edition of the current Khmer dictionary in 1938. In 1967, he was elevated to the rank of doctor.
Nath's other contribution to Cambodia include the current national anthem, Nokor Reach, for which he composed both music and lyrics.[3] Nokor Reach was written to correspond to the motto of the nation, "Nation, Religion, King" as well as demonstrate the grandeur and the mighty past of the Khmer nation.
Som Dech Nath was the head of a reformist movement in the Khmer Buddhist Sangha which developed a rationalist-scholastic model of Buddhism, rooted in linguistic studies of the Pali Canon. This new movement, known as
Nath pushed for a series of innovations in the Khmer Sangha beginning in the early twentieth century: the use of print for sacred texts (rather than traditional methods of hand-inscribing palm-leaf manuscripts); a higher degree of expertise in Pali and Sanskrit studies among monks; a vision of orthodoxy based on teaching of Vinaya texts for both monks and lay-people; and modernization of teaching methods for Buddhist studies.
He also oversaw the translation of the entire Buddhist Pali canon into Khmer language; and the creation of the first modern Khmer language dictionary.[2]
The French set up its protectorate over Cambodia and intended to replace the Khmer language with its own through the so-called "pseudo-French intellectuals." This intention rallied many Cambodian scholars to the course of conserving the Khmer language; one such scholar was Nath. A son of farmers who later became a monk, Nath dedicated his life to upholding Buddhism and the conservation of Khmer language in the country that was highly influenced by French colonialism. He had an extensive knowledge of the Khmer language. He was probably the most famous and most knowledgeable monk Cambodia had ever had. A master in Buddha’s teaching, he was very well known around the Buddhism circle as well as very adept at languages. Throughout his life he encouraged the use of "Khmerization" in both public education and religions. What Nath meant by "Khmerization" was he wanted to derive new Khmer words from its ancestral roots, the Pali and Sanskrit languages. For example, when the train arrived first in Cambodia, there was no Khmer word for the train. Nath thus derived the word for train from Sanskrit and Pali word of Ayomoyo which means something that is made of metal. Together with the word Yana which means vehicle, came the Khmer word for train which we know today as Ayaksmeyana, pronounced Ayak-smey-yean.
However, Nath’s Khmerization was not overall accepted by all Khmers. Scholars such as Keng Vannsak who were pro-French did not find the kind of Khmer words derived from Pali and Sanskrit to be convenient. They revolutionized another kind of derivation which they want to adopt normalized French word into Khmer vocabulary. The only major change was to use Khmer alphabet to write the word rather than using the Roman alphabets used by the French. But despite opposition, Nath’s Khmerization succeeded. He was a member of the original committee granted royal order to compile a Khmer dictionary in 1915 and was credited as the founder of the dictionary as he pushed for and finally succeeded in printing the first edition of the current Khmer dictionary in 1938. In 1967, he was elevated to the rank of doctor.
Nath's other contribution to Cambodia include the current national anthem, Nokor Reach, for which he composed both music and lyrics.[3] Nokor Reach was written to correspond to the motto of the nation, "Nation, Religion, King" as well as demonstrate the grandeur and the mighty past of the Khmer nation.
The chapei dong veng (Khmer: ចាប៉ីដងវែង)
Extracted from Wikipedia: The chapei dong veng (Khmer: ចាប៉ីដងវែង) or chapey (ចាប៉ី) is a Cambodian two-stringed, long-necked guitar that is usually plucked. It has two double courses of nylon strings.[1][2] The top and bottom strings are typically tuned to G and C respectively, with the 12 frets having notes 1 D, 2 E, 3 F, 4 G, 5 A, 6 B, 7 C, 8 D, 9 E, 10 F, 11 G, 12 A.
Tuesday, February 28, 2017
Sunday, February 26, 2017
មនុស្សដែលមានគោលដៅច្បាស់លាស់ ទោះបីគាត់ស្ថិតនៅលើផ្លូវគ្រលីកគ្រលុកយ៉ាងណាក៏ដោយក៏នៅតែអាចដើរទៅមុខរួច ព្រោះគាត់ដឹងគោលដៅដែលត្រូវទៅ ។ A person with a clear purpose will make the progress on even the roughest roads. --Thomas Carlyle
Tuesday, February 21, 2017
2017/2/19 Kep Town
Kep, 19/02/2017,
is a tiny coastal province in southern Cambodia, known for its seafood
and tropical islands. The relaxed provincial capital of Kep, or Krong
Kaeb, has wide streets with crumbling villas that recall its former
glory as a French colonial resort town. Kep Beach has calm waters and a
promenade with statues, while vendors line the waterfront at the nearby
crab market.
Area: 129.7 mi²
Population: 40,280 (2009)
Area code: +855
Toy Drum
Toy Drum is the playing of my son's creation of the his enjoyment !!!!! the action or state of enjoying : possession and use , the enjoyment of civic rights.
Monday, February 13, 2017
Song Collections
Monday, February 6, 2017
មនុស្សនិងធម្មជាតិ
អត្ថបទ៖ ខែម ហន
ធម្មជាតិតែងបង្កើតនូវគ្រប់សភាវៈទាំងអស់នៅលើភពផែនដីនៃយើងនេះ ។ ភពផែនដីជារបស់មនុស្សជាតិទូទៅ
ធម្មជាតិផ្ដល់ឱ្យមនុស្សគ្រប់បែបយ៉ាងទាំងអស់ ដោយផ្តល់នូវសេចក្តីសុខរៀងៗ គ្រប់ប្រាណ
ក៏ប៉ន្តែទង្វើ(កម្ម, អំពើរ) របស់បុគ្គលដោយឡែកទៅវិញទេ ដែលប្រតិបត្តិចាក់ពីគន្លងនៃសេចក្តីសុខនៃធម្មជាតិ
។ ដូច្នេះ មនុស្សគ្រប់រូបគួរតែវៀរចាកពីអំពើរមួយចំនួន ដែលនាំឱ្យកមនូវ មហន្តរាយដល់ខ្លួនឯង
គ្រួសារ សង្គមជាតិទាំងមូល។
-សេចក្តីលោភលន់
-អំពើរអបាយមុខ
-ភាពលំអៀង
-ភាពកំណាញ់
-សេចក្តីខឹងក្រៀវក្រោត
-ភាពមិនស្មោះត្រង់
-បង្កភាពវិនាសកម្មដល់ធម្មជាតិ
-ភាពមើលងាយអ្នកដ៏ទៃ
-ឱ្យតម្លៃសម្ភារៈជាធំ (សម្ភារៈនិយម)
ជាវិធីដ៏ល្អនិងមានប្រសិទ្ធភាព ដើម្បីស្វែងរកផ្លូវសុខ មនុស្សគ្រប់ៗរូបគួរចាប់យកការធ្វើសម្មាធិជាប្រចាំ
ទើបនាំមកនូវសន្តិភាពទាំងផ្លូវកាយនិងចិត្ត។ សូមជូននាទី សម្មាធិជាឧទាហរណ៍................!https://www.youtube.com/watch?v=y8LIbeKQ60U
Wednesday, January 25, 2017
Karlstad's Beauty
សម្រស់បុប្ឋាកាល់ស្តាត
១.ឱក្រុងកាល់ស្តាតស្ថិតក្នុងចិត្តខ្ញុំ ជាឋានសួគ៌សុខភិរម្យ
តែងបានសុខខុមដែលខ្ញុំសេ្នហា
ទេសភាពទាំងឡាយផ្សព្វផ្សាយគន្ធា គឺជាគ្រឿងអលង្កា
មករចនាសម្រស់កាល់ស្តាត ។
២.ស្រម៉ៃហាក់ស្ថិតនាឋានកេណរ នារីភុំផានបវរ
តុបតែងលំអរដូចក្ងោកពេនពន្ស
ទុំលើក្បាលទូកសែនសមទ្រើសទ្រង់ សក់វែងរលើបរលោង
ភ័ក្រ្តផូរផង់ដូចកេណរី។
បន្ធូរ- ជាប់ចិត្តគយគន់អារុណរៀងរះ ទូកមីដេដាស់
កម្រប្រទះទេសភាពប្រពៃ
ជាប់ចិត្តគយគន់សាយ័ន្តសម័យ រលករលេញចាំងរស្មី
ដូចពេចន៍ឆ្នៃរចនា ។
៣.នារីស្លៀកពាក់ឆ្លុះពណ៌គ្រប់យ៉ាង អង្គុយក្បែរចុងស្ពានម្ខាង
សំអិតសំអាង
ងូតទឹកដ៏ថ្លា ខ្លះស្លៀកពាក់ខ្លីអាវស្ដើងសង្ហារ ខ្យល់ផាត់មកប៉ះកាយា
គាប់នេត្រាបុប្ឋាកាល់ស្តាត ។
*ចង្វាក់ Rhumba Lent , លំនាំបទ សម្រស់បុប្ឋាស្តុកស្តុន របស់ លោក កែវ សារ៉ាត់
https://www.youtube.com/watch?v=BObLdmJ-7yA
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